Download PDF by Jayne Pilling: A Reader In Animation Studies
By Jayne Pilling
Cartoons―both from the vintage Hollywood period and from extra modern characteristic movies and tv series―offer a wealthy box for exact research and research. members draw on theories and technique from movie, tv, and media stories, paintings background and feedback, and feminism and gender studies.
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Extra info for A Reader In Animation Studies
The imagery fascinates precisely because of this uncertainty, induced by the novelty of its appearances: the different ways in which it recasts, amalgamates and confuses familiar techniques and forms. Such fascination comes to define the primary way in which the text is received here: this entails a displacement away from concentration on the story (such as it is) towards the allure of the image itself. To account for the features which ultimately mark Red’s Dream as aesthetically different with respect to previous examples within the tradition, one must attempt to understand the ways in which the new means of image origination figure in the production of the text.
Nineteenth- and early twentieth-century writers on the puppet theatre had perceived it. When a child first apprehends existence, it oscillates in uncertainty about its own reality and experiences in intervals of consciousness. 5 Willed objects of the puppet theatre dredged up old alternations of fears of annihilation and fantasies of narcissistic power. In the Quays’ words, objects and decor were: foregrounded as much as the puppets themselves . . the machines and objects to act as much if not more than the puppets .
21. , 20. , 36–37. Jean-Louis Comolli, ‘Machines of the Visible’, in The Cinematic Apparatus, eds Teresa De Lauretis and Steven Health (New York: St. Martin Press, 1980), 122. , 133. , 132. , 131. , 131. , 130. David Bordwell and Janet Staiger, ‘Technology, Style and Mode of Production’, in The Classical Hollywood Cinema, eds David Bordwell, Janet Staiger and Kristin Thompson (New York: Columbia University Press, 1985), 247. , 250. , 260. , 258. , 260. Jean-Louis Comolli, ‘Machines of the Visible’, in The Cinematic Apparatus, eds Teresa De Lauretis and Steven Health (New York: St.
A Reader In Animation Studies by Jayne Pilling